Főoldal | TV műsor | Filmek | Színészek | Rendezők | Fórumok | Képek | Díjak |
Keress | |
Részletes keresés |
DVD / Blu-ray premierek |
Mosolyogj 2. *Import - Angol hanggal, és angol felirattal* (Blu-ray) |
Háromezer év vágyakozás (Blu-ray) |
Életem fénye (DVD) |
További DVD premierek |
További Blu-ray premierek |
Hamarosan a TV-ben |
Az élet dicsérete - Epic Drama, 20:15 |
Tarzan legendája - Film+, 20:50 |
Egy befejezetlen élet - Story4, 21:00 |
A szomorúság háromszöge - Paramount Network, 21:00 |
Escobar - Az elveszett éden - Film Café, 21:35 |
Teljes tévéműsor |
Szülinaposok |
Jack McGee (76) |
Gemma Arterton (39) |
Blake Clark (79) |
Barbara Sukowa (75) |
Brent Spiner (76) |
További szülinaposok |
Utoljára értékeltétek |
Casablanca |
Will Poulter |
2010-07-15 16:57.45 |
A jó, a rossz és a csúf:
http://www.youtube.com/watch?v=1hYV-JSjpyU |
2010-07-15 16:56.26 |
http://www.youtube.com/watch?v=cWo__6Xn6Qs&feature=related |
2010-07-15 16:52.55 |
Egy maréknyi dollárért:
http://www.youtube.com/watch?v=VEBhB8M6LgA |
2010-07-15 16:44.45 |
http://www.youtube.com/watch?v=VEBhB8M6LgA |
2010-07-15 16:40.04 |
Talpra, csajok!
Hí a haza! Itt az idő, Most vagy soha! Ribik legyünk vagy csipogók? Ez a kérdés, válasszatok! A tyúkfélék istenére esküszünk, esküszünk, Hogy nézők tovább nem leszünk! |
2010-07-15 16:33.41 |
Sok animeintro-t hallgatok. |
2010-07-15 16:25.42 |
Az elején még puicit reklámjellegűnek tűnhet egyeseknek, pedig az egyes szereplőknek igenis mozgásban van az élete. Remek kis matiné. |
2010-07-15 16:23.40 |
Kár, hogy már 38 évesen meghalt, tetszetősen írt. |
2010-07-15 16:13.14 |
Ha jól teljesít, plusz egy csillagot kap tőlem. |
2010-07-15 16:09.33 |
Képtelen voltam abbahagyni a nézést, amikor csak betettem a videóba. húúúúúú! |
2010-07-15 09:35.30 |
Sose tanultam filmkritikusnak, de hobbiból űztem a témát, és az évek során egyre csiszolódott a szókincsem, az igényeim és a látásmódom. Az őszinte érzés adja a hajtóerőt, a fantázia pedig a formázást. |
2010-07-15 09:21.15 |
Alakul.
Mellesleg: A rejtély c. sorozat is egyre inkább kezd hasonlítani erre. |
2010-07-15 09:19.25 |
Persze, és a tanyasi szárnyas disznók a Szabó Erwin könyvtárban sakkoznak. |
2010-07-15 09:17.35 |
Nagyképűségnek hangzik, de nekem csak igen ritkán üti meg egy film azt a mércét, hogy talán érdemes a moziban megnéznem. Saját lábamon eddig csak egy filmet mentem el megnézni. Egyébként, nekem hó érzékem van a romantika érzékeléséhez. De többnyire ez a műsorokban vagy öncélúan túlnő a történeten, vagy suta és hamis. Borzasztó ritka, hogy pont beletrafálnak az értelmesen törekedve is tiszta intimitás középpontjába. |
2010-07-15 09:12.51 |
Már tudom: semmi. |
2010-07-15 09:05.09 |
http://www.filmkatalogus.hu/forum-31462 |
2010-07-15 09:02.34 |
Te jártál Hollywoodban? |
2010-07-14 19:26.40 |
Érdekes lista, így elsőre egyet tudok vele érteni. |
2010-07-14 19:25.47 |
THE LISTS: Top 10 performances in Christopher Nolan films
Posted by Kristopher Tapley · 10:25 am · July 13th, 2010 The word of the day Friday will most certainly be “Inception,” as casually interested movie-goers and anxious fanboys alike line up to take in Christopher Nolan’s latest effort. Now, I have suggested in this space that the film’s ensemble is an organic one, alive and driven. And that the performances are separately less than their sum impact. It nevertheless seemed a good time to look back over Nolan’s septet of offerings thus far and cherry pick the best portrayals for a return to this semi-regular feature at In Contention. Nolan always puts together a great cast. His carefully selected leads tend to ably balance themes of identity, control and psychosis, while highlighted supporting parts always prove to be charming outside-the-box considerations. With the latter in mind, I’d have loved to make room for the Steven Tobolowskys, Rutger Hauers, David Bowies, Ritchie Costers and Tom Berengers, but I naturally kept settling on the larger roles when push came to shove. So, without further ado… 10. Michael Caine, “The Prestige” A list like this had better not go without a mention of one of the screen’s living legends. At four films and counting, Michael Caine is Nolan’s most frequent collaborator, and in this mind-bending hocus-pocus adaptation from 2006, he brought a warm center to otherwise chilling proceedings with the swagger and grace we’ve come to expect of the actor. Caine’s seasoned ingeneur is a cheerful spirit full of as much piss and vinegar as fatherly heart. In a film rife with abhorrent characters, he holds the spotlight firm as perhaps the only man who still owns his own (however weathered) soul. 9. Christian Bale, “Batman Begins” When Nolan set about reviving the Batman franchise just eight years after Joel Schumacher sucked the life from its veins, it was important to cast the lead role with talent, not star appeal, in mind. The fan choice was Christian Bale, based largely on his performance in “American Psycho,” and he was well up to the task. Anyone, Bale included, can strap on the cape and cowl and be Gotham City’s dark defender, but it takes something extra to properly sell the complex character of Bruce Wayne. Aided by an origin tale that helped with the heavy lifting, Bale did just that and set a new standard for the sub-genre 8. Joseph Gordon-Levitt, “Inception” As mentioned previously, the performance that most sticks out from Nolan’s latest film is Joseph Gordon-Levitt’s serious-as-cancer right-hand man with a plan. It’s less about the internal components of the portrayal than the outward visage of a professional fully in control. And when the role dictates impressive physicality, the actor is ready to deliver, jumping headlong into a fantastical scenario and selling it with straight-faced ease. Gordon-Levitt has made a name for himself as an indie leading man go-to guy, but here he brings a lot to the high concept studio filmmaking table. 7. Guy Pearce, “Memento” Nolan’s neo-noir sophomore effort got a lot of ink for its unconventional structure and weighty thematic resilience. But Guy Pearce’s leading man portrayal could have dealt with a few more nods of respect and commendation. As a man afflicted with short-term memory loss, aching for closure to a recent tragedy but struggling through his condition to put the pieces together, Pearce dives right in, game for wherever the narrative may take him. He maintains a tightrope walk along the thin line between passion and obsession, leaving the viewer guessing which way he’ll fall when the chips are down. 6. Robin Williams, “Insomnia” Look carefully at Nolan’s filmography and you’ll notice a trend in his antagonists: complexity. They’re not out for simplistic gratification and they can’t be squeezed into a form-fitting mold of typical villainy. Robin Williams’s Walter Finch in the director’s 2002 remake of a Norwegian thriller is no exception. The subtleties of the performance really stick out on repeat viewings, but most striking is the actor’s slow, rolling boil of ambiguity and cerebral assault. His psychosis is so elaborate it infects the viewer, conjuring self-doubt, and it’s perhaps Williams’s best work yet, a masterful depiction of manipulation at its most precise. 5. Jeremy Theobald, “Following” Most seem to be impressed by Alex Haw’s one-time-only work in Nolan’s directorial debut, but I’ve always found his choices in the film to be a bit extravagant. More significant to me is the authenticity Jeremy Theobald brings to the main character, a writer on the brink of obsession who gets in way over his head. Naturalism is probably the most important necessity of performance, the kind that is virtually impossible to teach and equally impossible to arrive at through half-measures. Theobald was a first-time actor when the film was shot, but that might have been what gave his work the right touch of truth. 4. Gary Oldman, “The Dark Knight” The most undervalued piece of work in Nolan’s Caped Crusader franchise has to be Gary Oldman’s portrayal of police fixture James Gordon. While most eyes were on the villain of this blockbuster, record-smashing superhero sequel, Oldman flew under the radar as the emotional center of a vast, complex narrative. The actor’s steely resolve, balanced with a warm, fatherly disposition, nailed the classic character to a T, to say nothing of how his physical embodiment felt ripped right off the pages. His task was perhaps the most daunting of all: grounding the material with tangible sentiment. 3. Al Pacino, “Insomnia” In what is largely considered to be Nolan’s least accomplished effort, Al Pacino navigated a role Stellan Skarsgård originated with ease and remarkably (given certain tendencies) held the histrionics in check. He put out a marinated, measured performance that sells a sort of emotional fatigue that’s difficult to convey, and he barely broke a sweat. And the film itself is one of those modest gems that keeps on giving every time you give it another look. It may be the director’s most intense performance piece, actually, so no surprise that a second turn from the film pops up on the list. 2. Christian Bale, “The Prestige” Christian Bale lands on the list a second time, and with three leading turns for Nolan to date, the odds were certainly in his favor. But in one of the director’s most tonally and structurally impressive efforts yet, Bale faced a unique challenge. His performance(s) as a master magician butting heads with a jealous rival reveals (reveal) an acuteness and attention to detail that only grows upon repeat viewings. Alfred Borden is something of an underrated, overlooked treasure in the actor’s portfolio, frankly, a divided persona handled with the precision and exactitude we’ve come to expect from this dedicated performer. 1.! Heath Ledger, “The Dark Knight” This would probably be the definition of “anti-climactic” in your handy Webster’s or OED, but alas, it’s rather difficult to argue in favor of anyone else. Heath Ledger’s Oscar-winning supporting performance as the Joker, Gotham City’s Clown Prince of Crime spun dark and dire, transcended comic film villainy in the summer of 2008. It marked a commitment level arguably higher than the franchise deserved, but nevertheless one that further legitimized the property as more than a mere pulp fiction adaptation. Ledger’s performance is the finest to come under Nolan’s helm to date, a delightfully twisted work of art. And there you have it. Feel free to cut loose with your own list in the comments section below, or revisit this post with your take after “Inception” hits theaters this weekend! |
2010-07-14 18:23.47 |
Akkor javaslom azt, amelyikben a főszereplő Roger Moore volt. |
2010-07-14 18:18.57 |
Fordítva. De egyébként jó filmet mondtál, helyes! : ) |
2010-07-14 11:09.56 |
http://www.youtube.com/watch?v=fPPAN2kR58M |
2010-07-14 11:06.55 |
Kíváncsi leszek rá. Remélem, jobb lesz, mint a Rúgj-Hátsót. |
2010-07-14 10:31.44 |
Ez az Abelardo olyan egy aberrált! Már az alapján, ahogy próbálja összeszedni magát a családfő szerepéhez. |
2010-07-14 10:26.13 |
Nem. Én csak a többség véleményével vagyok hajlandó szembenni, azt is csak élvétve.
Neked amúgy kik a kedvenc fórumozó-társaid itt a honlapon? |
2010-07-14 10:21.43 |
The Quest |
2010-07-14 10:19.21 |
Szerintem se igen köthető máshoz ez a hisztéria. Én például 5 éve járok egyetemre a fővárosban, de se történelem, se japán szakon nem hallottam egyszer se erről beszélni senkit. Sőt, egyetemen kívül se soha. |
2010-07-14 10:15.09 |
Nem. |
2010-07-14 10:14.56 |
A Lois és Clark-nál is közreműködött a készítésben. |
2010-07-14 10:06.24 |
Nem csoda, hogy benyal Rogernek. : D |